The Oxford English Dictionary has embrangle coming into common usage in the 1600s but its etymology dates back to the early 1500s with brangle, which, I’ve decided, is a cool word all on its own and may have to write a post on it, too—when we come back around to B. 😀
Here’s how we use it:
They were embrangled in the nets.
I am embrangled and torn between conflicting difficulties.
I like this word. So similar to the physical act of entanglement but with the added definition of a mental struggle. This is a word that even upon first glance, the reader should be able to determine its meaning based on its use in the sentence, even if they’d never happened upon the word before in their life (which I hadn’t until I read the entry).
Characters are often embrangled within their plot lines, and as an author, I am often embrangled in the plot itself. I have a rough outline, but as I write the story, it fleshes itself out and twists and turns and takes new and unexpected forks in the road—some of which are entirely pointless and must be deleted. And far too often, half way through the story, in the murky, messy middle, all the plot holes and character motivational misfires start to rear their ugly heads. This is because I am a pantser—someone who basically flies by the seat of their pants when writing—as opposed to a plotter who meticulously plots out every scene, every arc, every development BEFORE they add a single word to the story. There is something to be said about plotting, and I’m going to try and write my next book with this approach because I am convinced, after Avelynn #2, that pantsing is NOT an efficient way to write a book!
In the murky, messy, pantser middle, I am often embrangled. Big time. The second book in the Avelynn series was very difficult to fix. I wrote 50,000 words for NaNoWriMo (a monthly writing challenge that takes place every November whereby we write 50,000 words in 30 days) most of which steered me off coarse and embrangled me in plot snares and character black holes that were almost impossible to recover from. The novel followed so many divergent threads, that I got to the point where I wasn’t sure what the premise was, or even what the main point was anymore!
With characters, to embrangle them in messy plot choices and make them clamber out of the carnage is what makes a story great. We can’t have characters riding along on sunshine and roses, we have to make the struggle, we need to throw story curves and plot bombs in their path and make them dodge or take a hit and recover. That’s what’s so fun about writing books. Creating conflict and fascinating surprises and developments that seem to come out of the blue, or that have been building for chapters and acts. To embrangle is to drive the story forward, and there’s a satisfying almost sadistic glee to the whole thing. ;D
I’ve finished the first draft of Avelynn #2 and am currently working on fixing up the wayward threads as I work my way through my round of edits. Hopefully, the embranglement from this point forward will be limited to what I’ve created for my characters and the rest of the edits flow smoothly. Cross your fingers for me. 🙂